Scripts
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Michael's screenwriting ranges from drama in Ireland, the UK and the US, to documentary and entertainment scripts for a wide variety of television shows. Featured below is a selection of well known titles. "My favourite screenwriting was 'The Professionals'. Brian Clemens, its creator, was the genius behind 'The Avengers' and 'Thriller'. He was my mentor at the start of my career. He taught me storytelling." |
The Professionals
"The Professionals" was producer Brian Clemens' follow-up to his worldwide hit, "The Avengers". It was launched by LWT in 1977, and Michael Feeney Callan joined the writing team in 1979. |
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Notes from Producer Brian Clemens' writing brief for "The Professionals":
The sudden death of the matriarch of Dublin’s most ferocious crime family spurs two rebel police officers to coordinate an attempt to smash the family’s hold on the city. One of the officers, Hannan, is related by marriage to the family, though this hardly tempers his savagery in meeting force with force. The other, McGettigan, approaches the investigation and resolution with the fearless brilliance of a chess master.
Hugely successful ITV network series based on the world-famous board game. A guest panel watches a pre-filmed whodunit drama, then decides who the murder is, based on their observational skills.
A dying wealthy man decides to outfox his greedy family by burying himself with his wealth. Or so it seems.
Como’s last ever show (for PBS), which rounded off a 50-year career. Callan worked closely with Como on the script (Callan also co-produced) and learned of the singer’s obsessive devotion to his personal hero, Bing Crosby. “He wanted to talk supercool. He wanted to sound like Crosby.”
On the eve of his marriage, Larry celebrates with a raucous stag night. But the the ceremony that follows is interrupted by a visit from the police. A claim of rape has been made by a girl friend of Larry’s who crashed the men’s night. The ensuing investigation by a male and female officer captures the dilemma of society’s preconceptions and biases about gender roles.
A family’s frantic attempts to assume the inheritance of the impressive rural Templewood estate draws Tom Crowe, a former cop, out of retirement to investigate.


